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One mono photo. Mental belief suggest the lines and parallax
planes when two none binnocular images are focused together
would destroy the integrety of the image, that is, bits and
pieces floating, the whole image disconbobulate in eeries
that make no sense. Disconbobulation does not happen. In
stead, the two images combine to re-enforce each other,
stereo detail emerges into focus.
Agreed, the stereo is not smashing, it does reach out
and grab you by the tongue and yank. Agree also that
to find any amount of stereo in a mono picture is
an amazing discovery, whent time ever seen. In the
above, in stereo, space can be seen behind the front
right corner of the table, real space can only be
seen when correct 3D is visible.
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A second photograph, sonic1.jpg, a normal
horizontal, when resized for 'Virtual 3-D
stereo' remains true to form, all objects
in the photo remain authentically true to
life of original sizes of objects in the
original living room in terms of both size
and orientations. More or less if resizing
is ratio pure for width and height. Shrunk,
in other words, like a negative through an
enlarger.
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A third photograph, sonic3,jif, is a zoom
from the second and is used to test details.
Notice how the virtual stereo straightens out
a tangled unknown mess into tripods made of
thin wires, and shadows. The separation
between legs and shadows happens at once
the moment the two pictures are focused
into one. Even if not perfectly clear,
suppose this image was a vital one in
research and the fact of tripods being
present (stereo) in the midst of a tangled
mess (mono) makes all the difference in the
world.